Song writing credits copyright splits where recently clarified by the Intellectual Property Enterprise Court in the Touch Sensitive Case. About a month ago, on the 20 May 2015, Miss Recorder Amanda Michaels sitting as deputy enterprise judge at the Intellectual Property Enterprise Court handed down judgment in yet another dispute issued in the IPEC regarding song writing credits and royalty splits. The case is called (1) Minder Music Limited (2) Julia Adamson -and- Steven Sharples  EWHC 1454 Minder Music Limited was the first claimant, Julia Adamson the second and Steven Sharples the defendant.
The first rule about copyright infringement on You Tube is that copyright infringement on You Tube is not like copyright infringement on other platforms. You Tube has it’s own application of copyright laws. We often get asked by production studios to write contracts for consultants, contractors, clients and so on. These consultants monetise digital channels on You Tube with original content that has been created by the studio for a TV series, or other media channel.
Its official! The major music labels have abandoned the traditional business model where the goal is to sell music. With the emergence of successful streaming services like Spotify, Google Play Music, Yala Music, Deezer, and probably twenty-plus others, it is impossible for a company to make money if it depends solely on consumers purchasing music. Not only are sales (both physical and digital downloads) down, but the revenue generated through streaming services is only a fraction of what sales use to generate back in the “good ole days”.
Promoter contracts govern the relationship between the promoter and the booking agent, venue, contractor, venue, artist or other promoters. A promoter acts as intermediary between a booking agent, venue, contractor, and the artist/other promoters. By artists I mean performance artists including: singers, DJ’s, dancers, actors, models, poets, conductors, choreographers, magicians and broadcast journalists.
Top night clubs like Niki Beach Miami, Provocateur New York City, have a reputation as the playground for jet setters, celebrities, and VIPs. They regularly book well-known DJs to play guest DJ sets or a celebrity to make an appearance. Concert promoters also contract with artist(s) to organise a live concert special event performance or a tour. Historically the best known concert promoter in the business was probably Harvey Weinstein who diverted into film production. The best known contemporary concert promoter is probably AEG Live.
According to Arthur Conan Doyle, “there is nothing more deceptive than an obvious fact”. Most of what we say about globalisation is that it obviously brings the world’s national cultures even closer together. Well that fact is not so necessarily obvious. In-fact it is argued in this article that not all territories necessarily welcome and some, if not most, actively try to resist globalisation blurring their national cultural boundaries. Some governments work diligently to control or restrict the effects of globalisation in various ways including regulation.