Traditionally, artists’ managers had a more intimate relationship with artists, taking care of the business side of things, whilst the artists concentrated on making music. The manager would usually take a back seat, preferring to be behind the scenes dealing with the day-to-day running of artists’ business affairs.
According to Arthur Conan Doyle, “there is nothing more deceptive than an obvious fact”. Most of what we say about globalisation is that it obviously brings the world’s national cultures even closer together. Well that fact is not so necessarily obvious. In-fact it is argued in this article that not all territories necessarily welcome and some, if not most, actively try to resist globalisation blurring their national cultural boundaries. Some governments work diligently to control or restrict the effects of globalisation in various ways including regulation.
This report discusses the future of copyright recorded music law in relation to the recorded music industry. The way we access, produce, distribute, store and consume recorded music has changed dramatically with the introduction of the internet. This change has meant that the current copyright laws have to be brought in line with the consumer`s change in perception of choice and access to recorded music. Adapting copyright law to meet the perception of choice and access to recorded music is proving controversial.