What is a legal audit of a film project?
A structured review of the project’s contracts, rights and
clearances—typically chain of title, talent and crew
agreements, music and archive licences, releases and
financing documents—to identify gaps before investors,
insurers or distributors rely on the project.
Why do financiers and distributors require E&O insurance?
E&O insurance responds to certain claims such as
copyright infringement, defamation or privacy arising from
the film. Financiers, broadcasters and distributors often
make it a condition of funding or delivery. Insurers will
expect clearance procedures and documentation to be in
place; cover and terms are the insurer’s decision.
What is chain of title and why does it matter?
Chain of title is the documentary record showing how the
producer acquired the rights needed to make and exploit the
film, from the underlying work through every writer and
contributor. Gaps can delay financing, insurance and sales.
Should I option a book or script before raising finance?
Usually, yes. An option secures the exclusive right to
acquire the rights within a set period, which gives
financiers and partners confidence. The option period,
extensions, purchase terms, reserved rights and reversion
should be agreed before development work begins.
Can my film qualify for the Independent Film Tax Credit?
Qualifying independent films can claim an enhanced rate of
the Audio-Visual Expenditure Credit, subject to BFI
certification and the budget, creative-connection and
theatrical-release conditions. We review the contracts and
chain of title that support the application; eligibility
and tax treatment should be confirmed with the production’s
accountants.
Does a co-production agreement make a film an official co-production?
No. Official co-production status depends on the applicable
treaty, qualifying participants, contributions and
certification. A commercial co-production agreement does
not by itself establish treaty eligibility.
Should actors and talent have their contract reviewed separately?
Yes. Independent review can address fees, exclusivity,
credits, likeness and digital-replica consents,
participation and termination. The producer’s and the
performer’s interests are not necessarily the same.
What should I check in a distribution or sales agreement?
The territories, media and windows licensed, the term,
any minimum guarantee, how expenses are recouped,
reporting and audit rights, delivery requirements and when
rights revert to you if the distributor does not perform.
Do you advise on film disputes as well as contracts?
Yes. We advise on contract, credit, payment and ownership
disputes, copyright infringement and reputational issues,
aiming to resolve matters by negotiation where possible
and acting in proceedings where necessary.